"an exceptional performance"
— Washington Post
"...a degree of polish and refinement that is extraordinary...even to a critical ear that has heard the great orchestras of the world."
— Henry Fogel
Markand Thakar BIOGRAPHY
A former assistant conductor of the New York Philharmonic, Maestro Thakar's appearances include concerts and a national radio broadcast with that orchestra; as well as concerts with the National, San Antonio, Columbus, Fort Worth, Alabama, Edmonton, Winnipeg, Amarillo, Charlotte, Wichita, Chattanooga, Knoxville, Richmond, Colorado Springs, Greensboro, Illinois, Kalamazoo, Windsor, Flint, Maryland, Ann Arbor, National Gallery, Waterbury, Annapolis, and Florida West Coast symphony orchestras; the Calgary, Louisiana, Long Island, and Ulsan (South Korea) philharmonics; and the Boston Pro Arte, National and Cleveland chamber orchestras; and opera productions with the Baltimore Opera Theater, the Teatro Lirico d’Europa, Opera on the James, and the Duluth Festival Opera. A frequent guest conductor at the Aspen Music Festival, Mr. Thakar has appeared with Yo-Yo Ma and the Colorado Symphony Orchestra and with Itzhak Perlman and the Boulder Philharmonic, and is a winner of the Geraldine C. and Emory M. Ford Foundation Award. Familiar to national radio audiences as a frequent commentator for National Public Radio's Performance Today, he has appeared on CBS This Morning and CNN conducting the Colorado Symphony.
With BCO Thakar has recorded three CDs for the Naxos label, including disks of concertos by Classical Era masters Stamitz, Hoffmeister and Pleyel, and music by Jonathan Leshnoff on the American Classics imprint, named to Naxos’ “Best of the Best” list. BCO traveled to China to perform a series of Viennese New Year's concerts, and recent a performance in New York earned a warm review from the New York Times, which praised the group’s “warmth and substance.” During his 12-year tenure in Duluth, the DSSO saw dramatic growth in both audience and artistic prominence, to what Minnesota Public Radio called “Minnesota’s other great orchestra.”
Noted internationally as a pedagogue, his two annual intensive conducting programs with BCO have drawn conductors from five continents. His students have won significant conducting positions across North America and internationally, including music directorships with the Aachen (Germany), Winnipeg, Hartford, Eugene, Charleston, Lubbock, Muncie, Williamsport, Amarillo, Young Musician's Foundation, Lake Forest, Mid-Atlantic, Sioux City, Waterloo-Cedar Falls, Lake Charles, Washington-Idaho, and Grande Ronde Symphony Orchestras; staff conducting positions with the Metropolitan Opera and the orchestras of Philadelphia, New York, Los Angeles, Cincinnati, Dallas, Seattle, Saint Louis, Portland (OR), Richmond, Winnipeg, Portland (ME), Buffalo, Phoenix, Charlotte, Kansas City, Canton, Winston-Salem, and El Paso; as well as numerous collegiate positions.
Markand Thakar is the author of three seminal books. Counterpoint: Fundamentals of Music Making (Yale University Press, 1990), also issued in Italian and Czech, uses species counterpoint to promote an understanding of how both composer and performer contribute to the experience of musical beauty. Looking for the “Harp” Quartet; An Investigation into Musical Beauty (University of Rochester Press, 2011) is a study of musical beauty from the standpoint of the composer, performer and listener. On the Principles and Practice of Conducting (University of Rochester Press, anticipated 2016) is a manual for conductors at all levels.